![]() ![]() This is one of many examples that illustrates the benefit of competition in the photography software space. ![]() A very early glance at the Capture One app for iPad. Photographers should look at development cycles like these though so that they can spend their time learning and growing inside the editing platform that they think will best suit their future needs. This system dramatically accelerates not just review, but collaborative editing of full-resolution files.” Capture OneĪdobe puts a lot of emphasis on allowing photographers to work with original files across a range of platforms, while Capture One put its effort on workflow enhancements that cater more directly to assisting photographers in better serving clients.īoth Adobe and Capture One have different approaches to similar problems, but neither is right or wrong. All changes are immediately synced and as always, natively non-destructive. Not only can they see, comment, flag, and review, but edits can begin immediately, from the field, the studio, or both. “Today, this user can directly import full-resolution RAW files into their mobile device those sync quickly to the cloud via 5G and the studio (on the same Adobe ID) immediately accesses these files. Not long ago, they’d have to have a card runner pick up and deliver SD cards to the studio so that commenting, processing, editing, and review could begin - quickly. “A Lightroom user has an iPad in their camera bag and is shooting a wedding. “Let’s look at this in a workflow,” Hughes says. Hughes also points out that how data is managed has also been allowed to advance thanks to Adobe’s use of the cloud. ![]() You can access, edit, collaborate (share, edit, contribute, comment) to and from anywhere.” ![]() “Not only does the cloud storage of these files facilitate anywhere access, but Lightroom’s implementation allows full editing power across platforms: iPhone, iPad, Android, Mac, Windows, and Web. “Lightroom is uniquely powerful in how it stores, syncs, and edits original (full-resolution) files,” Hughes says. Hughes says the company’s products, namely Lightroom, still leverage the cloud in ways that no other editing program does. With respect to photographers, in particular, there are a few things that its cloud infrastructure has been able to offer and they address similar issues with a different perspective. Capture OneĪdobe has a much larger portfolio of products than Capture One, and therefore what it does with the cloud is considerably more complicated. “We’re really excited about our vision for how Cloud and Mobile blend seamlessly into the photography workflow, providing photographers with a powerful creative and collaboration platform, helping them accelerate the shoot-to-final-image cycle without compromising in quality,” Orta says. Capture One has no long-term storage option and it isn’t doing any computing in the cloud either. The ability to watch a tethered photo session or changes to an edit happen in near real-time from any location is a focus that feels uniquely tailored to the high-end photographers that use Capture One. But even in how Adobe and Capture one approach the one idea of collaboration is different. As a much larger company, Adobe has several irons in the fire at once and is developing on them simultaneously. That singular focus is of course different from Adobe’s strategy. “In introducing Cloud and Mobile to Capture One, we are singularly focused on removing friction from collaboration, making the contemporary photography workflow more efficient and delivering the best images.” “Working closely with photographers, whether in studio or on location, we’ve noticed the haphazard usage of smartphones, cloud storage, videoconferencing platforms, and generally crowding around screens by all the various actors that play a role in the photo shoot,” Rafael Orta, Capture One’s CEO, tells PetaPixel. ![]()
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